This semi-documentary, which made stars of Jack Hawkins and John Gregson, is a look at life in an RAF fighter station during the Battle of Britain. Set in the Summer of 1940, a squadron of Hurricanes are followed as they take on the massive wave of Luftwaffe fighters and bombers that are intent on breaking down Britain's defences as a prequel to a German invasion. Without the bravery of these pilots Britain may well have been invaded.

Classic Ealing comedy about a group of villagers who, angered by British Rail's decision to close down their local branch line, make a bid to run the service themselves, making use of an antique locomotive liberated from a local museum.

Classic Ealing comedy. During the Second World War, the inhabitants of a small Hebridean island are wilting under a chronic shortage of whisky. When a ship is wrecked on the shore, it is discovered to contain 50,000 cases of malt, which are promptly appropriated by the menfolk of the island. All is well until an English Home Guard commander - determined to see the whisky restored to its rightful owners - calls in Her Majesty's Customs, and the islanders make frantic attempts to hide their treasured alcoholic booty!

Sid James triple. In 'The Big Job' (1965), a gang of hapless crooks successfully perpetrate a robbery only to be caught after the fact. Fifteen years later they emerge from prison intent on retrieving their stolen loot - and discover that a police station has been built over its hiding place. Sylvia Syms, Dick Emery, Jim Dale and Joan Sims co-star. In 'Make Mine a Milluion' (1959), an ad-man teams up with a make-up artist in a cunning plot to advertise Bonko detergent on non-commercial television. Despite the trouble it causes, the plan proves a great success and the two chaps soon set up a pirate television station with the intention of beaming their advertisements into other company's TV shows. Again the idea proves successful - but just how long can these two go on avoiding their come-uppance? 'The Lavender Hill Mob' (1951) is a classic Ealing comedy. Nobody would ever suspect gold bullion delivery man Henry Holland (Alec Guinness) of anything other than total devotion to his job. However, with the aid of fellow lodger Pendlebury (Stanley Holloway), he gathers together a gang to carry out a heist, intending to smuggle the gold out of the country by melting it down into miniature models of the Eiffel Tower. All goes well until the consignment of models becomes muddled up with another, non-golden batch. Watch out for an early cameo by Audrey Hepburn.

Philip Leacock directs this 1960s British film exploring a childhood friendship threatened by a religious divide. Michael O'Malley (Philip Needs), a young Catholic boy, and Rachel Mathias (Loretta Parry), a young Jewish girl, become friends when the former rescues the latter from schoolyard bullies. With both considered outsiders in Protestant England, a strong basis exists for a bond between the pair. However, in their innocence, Michael and Rachel become friends in spite of, rather than because of, their family backgrounds. Distraught when Rachel's parents declare that they are moving away, the pair set off on an adventure that may well change their lives forever...

Classic Ealing comedy. During the Second World War, the inhabitants of a small Hebridean island are wilting under a chronic shortage of whisky. When a ship is wrecked on the shore, it is discovered to contain 50,000 cases of malt, which are promptly appropriated by the menfolk of the island. All is well until an English Home Guard commander - determined to see the whisky restored to its rightful owners - calls in Her Majesty's Customs, and the islanders make frantic attempts to hide their treasured alcoholic booty!

1950s mystery thriller adapted by Victor Canning from his novel about a detective who gets caught up in a murder plot. Private detective Edward Mercer (Richard Todd) travels to Venice on a mission to find an Italian veteran who is due to be rewarded for his efforts in the Second World War. When he arrives, however, Mercer realises he is being set up with both the police and a group of partisans hot on his trail.

This book discusses Alasdair MacIntyre's engagement with Marxism from the early 1950s to the present. It begins with his early writings on Marxism and Christianity, moving through his period in the New Left and the Socialist Labour League and International Socialism in the late 1950s and 1960s. It then discusses MacIntyre's break with Marxism by developing the brief but telling five-point critique he gives of Marxism in his 1981 volume After Virtue. Marxism, Ethics and Politics highlights MacIntyre's continuing admiration for much in Marx's thought, noting that his contemporary project is developed in response to what he now sees as the inadequacies of Marxism, particularly Marxist politics. It concludes by examining the place of Marxism in the contemporary MacIntyrean debate and by pointing out the contested nature of the claims about Marxism that MacIntyre makes.

This book discusses Alasdair MacIntyre's engagement with Marxism from the early 1950s to the present. It begins with his early writings on Marxism and Christianity, moving through his period in the New Left and the Socialist Labour League and International Socialism in the late 1950s and 1960s. It then discusses MacIntyre's break with Marxism by developing the brief but telling five-point critique he gives of Marxism in his 1981 volume After Virtue. Marxism, Ethics and Politics highlights MacIntyre's continuing admiration for much in Marx's thought, noting that his contemporary project is developed in response to what he now sees as the inadequacies of Marxism, particularly Marxist politics. It concludes by examining the place of Marxism in the contemporary MacIntyrean debate and by pointing out the contested nature of the claims about Marxism that MacIntyre makes.